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Music at St Patrick's

“Qui bene cantat bis orat” –
“One who sings well, prays twice”

Music at St Patrick’s and the Holy Angels​

“The musical tradition of the universal Church is a treasure of inestimable value, greater even than that of any other art. The main reason for this pre-eminence is that, as sacred song united to the words, it forms a necessary or integral part of the solemn liturgy...” – Sacrosanctum Concilium 112.

The music program at St Patrick’s and the Holy Angels stands firmly within the various Papal teachings on music and strives to enhance the liturgy, to sanctify, to inspire, and to glorify God, whether as congregation members, choristers or cantors.

Gregorian Chant plays a pre-eminent role, and Latin plain chant is frequently sung. The chant tradition is also fostered in adaptations to English liturgical texts, and congregational singing is strongly encouraged.

Sunday masses are mostly sung with a cantor and organ and the 11am mass includes choral works from the entire history of church music from Gregorian chant to the 21st century. Our repertoire includes the sacred works of Palestrina, Mozart, Bach, and many more. Special feast days such as Christmas and Easter include orchestral instruments as well providing a spectacular palette of sound to the celebration.

The Catholic Church teaches that sacred music is an integral part of the liturgy, designed to glorify God and sanctify the faithful. Rooted in Scripture and tradition, it should reflect the solemnity and sacredness of worship, fostering prayer, reverence, and unity among the congregation. Gregorian chant holds a special place as the Church’s preferred form of sacred music, while other sacred forms like polyphony and hymns are also welcomed if they meet these criteria. Sacred music must always serve the liturgy—not distract from it—and be guided by principles of beauty, holiness, and universality. The Church's purpose for music is to elevate the soul and foster a deeper encounter with the sacred, not for entertainment or to excite passions.

A Brief History

The current music programme commenced in 1999 with the installation of the pipe organ and the desire of the parishioners, parish priest, and music director to establish a choral music programme of the highest standard befitting the liturgy and the new organ. Since then, St Patrick’s and the Holy Angels has employed some of Melbourne’s best church musicians as organists, cantors, conductors, and choristers, some of whom have gone on to prestigious positions in Cathedrals and other major churches.

Music Directors

 1994- 2002

 2003

2003

2003-2004

2004 - 2008

Jeremy Fletcher 

Peter Nicholson 

Christopher Cook 

Shane Taylor

Mark Raczynski

2008- 2018

Christopher Trikilis

2018-2021

Myfanwy McIndoe

2021-2022

Hugh Fullarton

2022-present

Dr Alan Cook

Music Director – Dr Alan Cook

B.Th (hons), Grad.Dip Opera, M.Mus, Ph.D

Alan Cook is a conductor, opera coach, organist, and musicologist with many years of experience across a wide range of sacred, chamber, operatic, and symphonic repertoire who, on the podium, is described as giving “…clear direction…. producing a lush, richly coloured soundscape” and “[He] communicated with the musicians with an emotional conducting style. Nobility and impressive contact with both orchestra and soloists became the key to successful artistic results". A graduate of both music and theology, he began music at the organ and developed his career as organist and choir master before completing a Grad.Dip. in Opera (VCA) as a repetiteur and Masters in Conducting. He won scholarships to study in Italy with Bruno Aprea of the Conservatorio di Santa Cecilia, Rome, during which time he also participated in international masterclasses and festivals conducting operatic masterpieces in such as Aida, L’Elisir d'Amore, Pagliacci, and Cavalleria Rusticana. During his ten-year sojourn in Europe, he performed in many countries including Austria, Italy, Spain, Ukraine, and Russia among others as both accompanist and conductor. He also worked extensively as an opera coach to many international singers including at the Liceu Opera of Barcelona where he was resident, and at the Puccini Festival in Torre del Lago. He was Principal Guest Conductor of orchestras in Ukraine and Russia for an extended period during which time he developed an expertise in Russian repertoire and language. Returning to Australia in 2014 with fluency in four languages, Alan took up roles with various companies and commenced a PhD on the operas of Rimsky-Korsakov, he also continued his coaching freelance with classical voices from VCE, conservatory and professional levels. He was Music Director of CitiOpera (2017-18), Artistic Director of More Than Opera (2016-2023), and Music Director of the Melbourne Chamber Choir (2016-2024). Recent performances include the Australian premiere of Kashchey the Immortal by Rimsky-Korsakov at the Melbourne Recital Centre, masterclasses in Russian repertoire for singers, and performances of Bach’s St John’s Passion, Rachmaninov Vespers, Die Fledermaus, and La Boheme. He also presented a paper at the 175th Anniversary Conference of Rimsky-Korsakov’s birth in St Petersburg as well as a performance of Mozart and Haydn piano concertos in Russia. In October 2019 he performed a concert of Rimsky-Korsakov, Borodin, and Mozart with the National Capital Orchestra, Canberra and in 2020, he conducted the Voices of St Petersburg gala concert in Melbourne with soloists of the Mariinsky Theatre, St Petersburg, as well as took masterclasses for XL Arts and a conducting summer school with More Than Opera. In 2022 he was guest conductor at the Kantata Festival in Kaliningrad, and with the Yaroslavl Philharmonic Orchestra in Russia. Since 2022 he has been the Music Director at St Patrick’s Mentone with which he has directed and performed many works including masses by Mozart, Gounod, Delibes, Schubert, as well as many sacred polyphonic works.

The 1862 Fredrick W. Nicholson Organ 

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The beautiful Fredrick W. Nicholson pipe organ was rescued from dereliction by pipe organ enthusiasts, people of faith, and lovers of heritage beauty. The organ is one of the earliest surviving pipe organs in Victoria. It is an instrument of unique qualities and of international significance because of the German stylistic influence in this English organ. F.W. Nicholson of Bradford, England built the organ in 1860, and it was installed in the Congregational Church in Malvern in 1862. The church was closed in the 1980s and bought by the City of Prahran, who looked for a buyer for the organ, on condition that the instrument be restored and “continue to be used in worship”. The National Trust classified it as an “instrument to be preserved at all costs”, as there had been no major modifications to the organ. However, it was in disrepair and required major rebuilding. The Parish bought the organ in the 1980s for $1.00 and remained in storage until 1998 when Jeremy Fletcher, the new Director of Music, agitated for its restoration. With a very generous bequest from Mrs Margo Magree and hard work by the Parish Organ Restoration Committee, the façade and pipes were restored by Pipe Organ Reconstructions Pty Ltd. The total cost was approximately $325,000. The organ has 24 speaking stops and 1558 pipes. It was blessed and officially commissioned by Archbishop George Pell in 1999, and the opening recital was given by Professor Ian Treacy of Liverpool, UK. The organ is classified by the National Trust and dedicated The Bishop John Anthony Kelly Memorial Organ. The Great and Pedal pipework are on the right side of the gallery. A new oak console was constructed on period lines. The beautiful blue and gold restored neogothic facade and casework is original on this side. On the left side is the Swell pipework. The casework and façade here is a faithful copy of the original. For more information about the organ and to view other pictures visit https://www.ohta.org.au/organs/organs/StPatricksMentone.html This much-loved organ is used weekly during services, as well as for concerts and special festival events that showcase its visual and aural beauty.

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Choir

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Principal Choir

The principal choir sings at the 11am mass every Sunday excluding school holiday periods and rehearses on Tuesday evenings. The choir is always open to new members. Taking part requires an audition and preference given to those able to read music and with previous singing experience. Contact the music director for more information or to arrange an audition. Alan.cook@cam.org.au

Children’s Choir

St Patrick’s Children’s Choir began in 2025 and is directed by Ms. Ann Earle. They perform monthly at the Sunday evening mass as well as at major feasts like Christmas and Easter. The children learn to sing, read music, and perform congregational as well as choral part singing. The choir is open to boys and girls from 8 years old. Interested parents can contact Ms Earle via the church office.

Scholarships

St Patrick’s and the Holy Angels offers voice and organ scholarships to encourage young people to use their talents and passion for music in service of the church.

Contact the Music Director for more information and application details. Alan.cook@cam.org.au

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St Patrick's & St John Vianney's
Stella Maris & St Joseph's

 

Office:

mentoneparkdaleeast@cam.org.au

3 Mitchell Street, Mentone, VIC 3194

(03) 9583 2103

Office hours 9 - 5 pm Monday, Tuesday & Thursday

Phone is monitored after hours for emergencies

 

©2025 by MENTONE-PARKDALE

St Patrick’s, 10 Rogers St, Mentone
St John Vianney’s, Cnr Warren Rd & Brisbane Tce, Parkdale
Stella Maris, 2 Charlotte Rd, Beaumaris
St Joseph’s, 542 Balcombe Rd, Black Rock

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